fat bloody fingers are sucking your soul away...

CMJ came and went. It was a lot of fun. It started on Monday night with a party at Rebel. The venue is a lot different since the last time I was there. I didn't like the set-up. It was too small of a stage and a sweaty mess as We Are Scientists drunkenly played through their set. It was also pretty funny that they had a bunch of hardcore dudes djing, like Freddy from Madball and they were playing hip hop. Too funny. Next up on Tuesday was Little Ones at NME's club night. They were actually pretty good. Unlike Tiny Masters Of Today, which was very awkward to say the least. Followed that up with a friend's birthday party at Motor City bar. Wednesday I took it pretty easy, checking out the 1990's at a Table Tennis video game event. The one thing I'll say about that band is the drummer kinda sings like a little girl. I turned in early...well more like passed out on my sofa at about 10:30 that night.

No problem, as Thursday was the big day. I started it off with an awesome set by Biffy Clyro at the fader house thing. They killed it. They rocked so hard, that they literally made the place shake. It was awesome. They played mostly all new songs from their latest release, except 'Glitter and Trauma' from their last record. Next up was iliketrains at White Rabbit. They were great, though the sound wasn't exactly the best at that place. Next up was We Are Wolves and Born In The Flood at another club NME event. They were both pretty good. I was really surprised by Born In The Flood. Never heard of them before I saw them, but they impressed. Next up, was the one band I had to make sure I saw, UNKLE. Man, it was amazing.
I didn't really know what to expect. Best known as a dj and a collaborative project, I didn't know how James Lavelle and Co. would play the songs and sing the parts usually sung by guests like Thom Yorke, Richard Ashcroft, etc...But they totally pulled it off. Playing mostly stuff from the new album, they did kick in a few jams from the first two albums too, capped off by the encore of 'Rabbit In Your Headlights' melted into 'Eye For An Eye'. It rocked pretty hard. Lights killed and visuals were awesome too.

Friday I didn't catch all that much, aside from iliketrains again and the Macabees, who were dreadful. Saturday, I headed over to the newly re-designed, Music Hall of Williamsburg, formerly known as the Northsix. It's now a massive venue. I'm not sure if I really like it. guess I'll have to see another show, or another band. As the band playing that day was Trail Of Dead, who tend to be way too loud and sloppy anywhere they play. They were solid the other afternoon, but it was so loud you could barely here certain instruments and vocals. And that's about it. I drank a bunch of free beer, and closed out my night with dinner at Cafe El Portal and too many margaritas.



So, the Joe Torre saga has finally come to an end. He was a great manager and had 12 amazing seasons with the Yankees, highlighted by the 4 World Series, in five years. But honestly, I've felt like the team has needed a change for some time. I love Torre and all he's done for the team, but I think his ways have become a thing of the past, and I always think he's been bad at managing a pitching staff and using his bench properly. He stuck by veterans, when others would have taken them out of the line-up. He failed to motivate his players and make adjustments in the playoffs, which ultimately sealed his fate. So, now what's next for the Yankees?

My vote is for Joe Girardi to become the next manager. I think he's smart and really understands the game well. He's a former catcher and has worked with a young pitching staff, both as a player and manager in Florida last year. While Don Mattingly is my favorite player of all time and monumentally adored by fans, I just don't think he's ready to be a manager, though maybe one day he could be. To me, it seems like next year will be a rebuilding year and Girardi seems like the right guy to lead a team like that. I can easily see A-Rod playing for Anaheim of Los Angeles of Disney of Petuluma or whatever that team is called now. Clemens will not return, and it's possible Pettite, Rivera and Posada don't return either.

We'll have a very young staff with Hughes, Kennedy and Joba, not to mention Wang who is only still 27. Giambi's huge contract will not match his quickly declining health and skills. The bullpen looks like a mess, however it could be promising if one or two of the youngsters, Ohlendorf, Ramirez, Veras, Bruney, Britton, etc... can effectively throw strikes and mix up their pitches. Will Cano and Cabrera finally mature and become elite hitters. Can Damon and Jeter continue to be big-time run producers. Will Moose rebound from an awful year. Man, lots of questions. It was disappointing to see this season end the way it did, especially with the big come back from their dismal start. I really didn't think I'd find myself rooting for the Indians to be the AL champs.


Listening Pile:
I leave you with the Warlock's 'Baby Blue', the pretty and deliciously retro 7" and CD single taken from the LP arrived awash with sitars, a touch of feedback and a melody that sounded like it had blown in from the West Coast of pop. The single's extra tracks featured two songs from the album recorded on their British tour, "Hurricane Heart Attack" boasting a guest appearance from ex-Spaceman 3 front man Sonic Boom that together with "Inside Outside" successfully conveyed a sense of the band's gigantic live sound. They announced the Warlocks new album "Heavy Deavy Death Skull Love" is finished, and due out on Tee Pee Records this week.

Look for a full-body and amber color.

Last night on PBS, I came across Explosions In The Sky's Austin City Limits Performance.
Explosions in the Sky Song List
Recorded June 29, 2007: * Yasmin the Light / Catastrophe and the Cure / Memorial
After seeing their great performance, I'm really bummed I didn't get to see a show there when I was in Austin. Next time, I guess. The performance was pretty great and really showed off some of the band's wonderful music.

I don't think I've ever written anything about this band before, but they are indeed awesome. They formed in Austin, in 1999. Explosions has become known for its elaborately developed guitar work, and its narratively styled instrumentals, as well as their enthusiastic and emotional live shows. I'm a big fan of 2003's The Earth Is Not a Cold Dead Place and their most recent album, All of a Sudden I Miss Everyone, released earlier this year. They also scored the soundtrack to the great Friday Night Lights movie, after being contacted by director Brian Reitzell. Despite having access to rare equipment in the studio for that project, the band kept to their songwriting style in creating original material, which is still used on the TV show as well.


I drank my very first Post Road Pumpkin Ale of the season the other night as well. The Brooklyn Brewery's Post Road Pumpkin Ale is a revival of a beer brewed by the early American colonists. Pumpkins were plentiful, flavorful and nutritious and they blended nicely with barley malt. Hundreds of pumpkins are blended into each batch of Post Road Pumpkin Ale, creating a beer with an orange amber color, warm pumpkin aroma, biscuity malt center and crisp finish. Post Road Pumpkin Ale is spiced with cinnamon and nutmeg. There are a few other really great Pumpkin Ales, including, Smuttynose and
Dogfish's Punkin Ale, both of which are fantastic.

Don’t get any big ideas, they’re not gonna happen.

The CMJ Music Marathon is coming this week. While the magazine itself, has become a 6 page pamphlet in recent years. The marathon is still kicking, alive and well. It's always a great week, with tons of bands to see, parties to attend and friends to catch up with. UNKLE and British Sea Power are probably the two bands I want to see most. Saw some parties with cool lineups too, which invariable, always end up being some of the best shows, plus they tend to have free booze. Can't complain there.

So earlier this week, Radiohead, announced the release of In Rainbows. It's safe to say, few bands have been able to reinvent rock as often as the British quintet has in recent years. Now Radiohead has gone and done it again, and not necessarily by the music itself, but the means by which it is being distributed. By choosing to release their seventh studio album, In R
ainbows, as a digital download through their own site, on a sliding scale, determined by each consumer willing to part with an email address. An idea, that was actually coined by, Jonah Matranga with his Onelinedrawing project. After two days, sources within the band’s camp were claiming that more than 1.2 million copies had been downloaded.

As guitarist, Jonny Greenwood has said over the past few days, the band’s intent is not to start a revolution or give away its music, but rather to prevent it from leaking out to the public over several months before the official CD release next year. In turn, it is the band’s hope that once fans hear the music on compressed MP3 files, they’ll want to buy the sonically superior physical product. An lp version, cd bonus and the downloads up front. All for $81, which seems high, but I guess it all makes sense, when those are the superfans buying it in the long run.


On Monday, Trent Reznor posted on the Nine Inch Nails website, that he has finished his contract with Interscope and his hoping to put out is his own albums, free of label pressure and interference.

Hello everyone. I've waited a LONG time to be able to make the
following announcement: as of right now Nine Inch Nails is a totally
free agent, free of any recording contract with any label. I have
been under recording contracts for 18 years and have watched the
business radically mutate from one thing to something inherently very
different and it gives me great pleasure to be able to finally have a
direct relationship with the audience as I see fit and appropriate.
Look for some announcements in the near future regarding 2008.
Exciting times, indeed.

So, his upcoming Year Zero Remix will be released on the label, and could be the last. Trent Reznor announced a release date and format options for the upcoming Y34RZ3R0R3MIX3D, also known as Year Zero Remixed. This follows the April release of Year Zero and features contributions from Saul Williams and Ladytron, both of whom have recently opened for Reznor's crew, as well as mixes from the Faint, Fennesz and members of New Order and the Knife. One track, "My Violent Heart" by Pirate Robot Midget is actually "a fan's work," he wrote, adding "I thought it was great, it filled a need."

Just read that Nada Surf will be releasing their new record, LUCKY, on February 5th, 2008 on Seattle label, Barsuk Records. This is Nada Surf’s fifth record and third for Barsuk, following the highly successful and critically acclaimed Let Go (2003) and The Weight is a Gift (2005). You can hear and download "See These Bones" now, in a bunch of different places. Do it. It's a great song. The album was co-produced by the band and John Goodmanson (Death Cab For Cutie, Blonde Redhead, Sleater-Kinney). Many great artists make guest appearances on the record, including: Ben Gibbard, Ed Harcourt, and Jesse Sykes. To help announce the coming of the new record, Nada Surf is about to embark on a national headlining tour. The dates begin October 13 in Philadelphia and end November 2 in Baltimore. Sea Wolf will support.